Sunny with a Chance of Romance!

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277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
fiftyshadesofspencerreid
fiftyshadesofspencerreid

do the stars gaze back ?

overview: the reader is hopelessly, head over heels in love with spencer (the other option is that they believe they have carbon monoxide poisoning) and thinks he doesn't feel the same way.

genre: angsty-ish (?), fluff-ish(?), PINING (so much pining), friends to lovers teehee

pairing: spencer reid x gn!reader

a/n: hiii ! omg this is my first ever fanfic and asdhfsdfjhgdhjfs i'm super scared and excited rn. i just wanna say tysm for taking the time to read this and especially thank you to @samuel-de-champagne-problems, @jemilyisms and @spencerreidat3am for taking a look at my drafts ! i totally was not projecting onto reader, the entire time, and writing about my real-life scenario where my i'm in love with my best friend and she doesn't like me back ahahahah. anyways if anyone wants to cry about unrequited love come to me and lets cry together. the title is based on this stardust quote and idk it kinda fits the theme of unknown unrequited love - ahhh i'm just waffling at this point. i hope you enjoy the fic :) <3 !

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it had been a couple weeks since you’d last hung out with Spencer by yourself. after forcing him to re-watch your favourite film ‘stardust’ for the 80th time together, you found yourself tucked away in his arms; his hands tracing circles gently against your back, whilst you both lay on the sofa.

you’d almost confessed there and then.

it hadn’t been the first time that you both sought each other out whilst watching a film; you were always almost touching in some way or another. a head on a shoulder. legs draped across one another. pinkies intertwined. it had taken him a long time to get used to your love language, touch, and now you both of you couldn’t go too long without touching each other in some way. platonically of course.

but this time you could barely suppress your feelings – the overwhelming urge to look up at him and tell him there and then that you were in love with him. Spencer Walter Reid.

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linotte-melodieuse
henryclervals:
“ Masterpost of Free Gothic Literature & Theory
Classics
Vathek by William Beckford
Wuthering Heights by Emily Brontë
The Woman in White  & The Moonstone by Wilkie Collins
Carmilla by Joseph Sheridan Le Fanu
The Turn of the Screw by...
henryclervals

Masterpost of Free Gothic Literature & Theory

Classics
Vathek by William Beckford
Wuthering Heights by Emily Brontë
The Woman in White  & The Moonstone by Wilkie Collins
Carmilla by Joseph Sheridan Le Fanu
The Turn of the Screw by Henry James
The Monk by Matthew Lewis
The Phantom of the Opera by Gaston Leroux
Melmoth the Wanderer by Charles Maturin
The Vampyre; a Tale by John Polidori
Collected Works of Edgar Allan Poe
Confessions of an English Opium-Eater by Thomas De Quincey
The Mysteries of Udolpho by Ann Radcliffe
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
Dracula by Bram Stoker
The Castle of Otranto by Horace Walpole
The Picture of Dorian Gray by Oscar Wilde
Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley

Short Stories and Poems
An Occurrence at Owl Creek Bridge by Ambrose Bierce
Songs of Innocence & Songs of Experience by William Blake
The Rime of the Ancient Mariner by Samuel Taylor Coleridge
The King in Yellow by Robert W. Chambers
The Legend of Sleepy Hollow by Washington Irving
The Yellow Wallpaper by Charlotte Perkins Gilman

Pre-Gothic
Beowulf
The Divine Comedy  by Dante Alighieri
A Journal of the Plague Year by Daniel Defoe
Faust by Johann Wolfgang von Goethe
The Tragical History of Doctor Faustus by Christopher Marlowe
Paradise Lost by John Milton
Macbeth by William Shakespeare
Oedipus, King of Thebes by Sophocles
The Duchess of Malfi by John Webster

Gothic-Adjacent
Northanger Abbey by Jane Austen
The Wendigo by Algernon Blackwood
Jane Eyre & Villette by Charlotte Brontë
Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth
The Mystery of Edwin Drood by Charles Dickens
The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky
The Man in the Iron Mask by Alexandre Dumas
Moby-Dick by Herman Melville
The Island of Doctor Moreau by H. G. Wells

Historical Theory and Background
The French Revolution of 1789 by John S. C. Abbott
Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley
The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead
On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle
Demonology and Devil-Lore by Moncure Daniel Conway
Ancient Pagan and Modern Christian Symbolism by Inman and Newton
On Liberty by John Stuart Mill
The Social Contract & Discourses by Jean-Jacques Rousseau
Feminism in Greek Literature from Homer to Aristotle by Frederick Wright

Academic Theory
Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley
Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong
Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong
The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock
The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch
Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost
Women, Power and Conflict: The Gothic heroine and “Chocolate-box Gothic” by Avril Horner
Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage by Maria Antónia Lima
‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel
The terms “Gothic” and “Neogothic” in the context of Literary History by O. V. Razumovskaja 
The Female Vampires and the Uncanny Childhood by Gabriele Scalessa
Curating Gothic Nightmares by Heather Tilley
Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz
Hesitation, Projection and Desire: The Fictionalizing ‘as if…’ in Dostoevskii’s Early Works by Sarah J. Young
Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia

hollynotebooklover
sunnysaysbookreviews

Some of my favorite NON Fabio Johanna Lindsey covers!

I love how very nude most of these men are.

hollynotebooklover

Why aren’t painted book covers a thing any more? WHY! 

Also, I have two of these, and I treasure them!

sunnysaysbookreviews

@hollynotebooklover job paul is an artist who actually paints a lot of book covers for romance novels!!! Two of these were covers of some Sophie Jordan books, one was a suzanne Enoch book, the others are ones I’ve seen but can’t remember right at this second. But he’s done covers for everyone from Vivienne lorret to cathy Maxwell. It’s certainly a different vibe then the classic romance covers, more hyper realistic but still painted! He is one of my all time favorite artists!

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Haunted by Chuck Pahlaniuk

I want to start this by saying I’ve never read anything else by this author. Not even fight club. And I probably never ever will.

I went into this book expecting horror and gore and grossness. Not to be bombarded with incredibly high handed and inaccurate views on society and humanity as a whole.

That’s not to say you don’t get the horror and the gross factor. To an extreme in some parts. This is where I will tag the triggers. Because there are a lot. Body horror, sexual deviancy including pedophilia and children masturbating (those are the only things that have popped up sexually so far at halfway through), the infamous chapter ‘guts’ includes quite a bit of gruesome gore, though it didn’t bother me much. That’s what I’ve got so far but they are some pretty big ones if they are things that might trigger you. The pedophilia was a bit of a trigger for me and it was not subtle.

On a different, more critical note, I do not read horror to be spploonfed 'edgy’ viewpoints on society. I, and everybody else in the world, knows that society has problems. If it’s really something you want in your story, show it. Don’t REPEATEDLY tell me what’s wrong with me and every other human being in society. It is tedious, it is obnoxious and I feel like I’m talking to some seriously WOKE college student who is just regurgitating what they see on the news and read in super “deep” articles. No thanks.

And the characters. I can see what chuck was trying to accomplish. He was trying to make a set of characters that are not one sided and aren’t good that we supposedly should be able to empathize with regardless of the fact that they have a dark side. The problem is the execution. They are NOT multifaceted, morally grey characters I think chuck was going for. Every single character is simply put, terrible. They do not have good sides, they are selfish, they are greedy, they are stupid, and not a single one of them has an ounce of common sense. They are treating their “captor” (who they went with willingly knowing they’d be in this retreat for 3 months???) As if he is doing something terrible, but the fact is they AGREED to this. The story revolves around every single one of the characters sabotaging themselves to make the story more interesting. I don’t know a single person who acts the way they do? And they are all representing stereotypes, which makes them even more one dimensional.

I have yet to finish this book and after the chapter I just read I am not sure I’m even going to.

I would not recommend this book to a single person. It is not entertaining, the only truly horrifying aspect of this book is the writing and the social commentary, and I do not want a single character to live through this ordeal.

1/5 stars.


books book review booklr chuck palahniuk haunted
shakespeareanqueer
thevintagethimble

Edwardian Hairstyles
A collection of Edwardian photographs, depicting some of the hairstyles of the time, like the Low Pompadour. Hatpin Hairstyle. Side-Swirls. Flapper (The title ‘Flapper’ originally referred to teenage girls
who wore their hair in single plait which often terminated in a wide ribbon bow.) & the pompadour.

Victorian Hairstyles Here [x] | 1920’s Hairstyles Here [x] | 1930’s Hairstyles Here [x] | WW2 Hairstyles Here [x]